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    Home»Science»Hidden Murray River Rockshelter Reveals Aboriginal Art, Frontier Conflict and a Swastika
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    Hidden Murray River Rockshelter Reveals Aboriginal Art, Frontier Conflict and a Swastika

    By Flinders UniversityMay 18, 20203 Comments3 Mins Read
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    Murray River Rockshelter
    Western cavity adjacent to Pudjinuk Rockshelter No. 1 facing west (note that the entrance to the rockshelter is partially concealed from this vantage point). Photo by Amy Roberts, 13 September 2017. Credit: Amy Roberts, Flinders University

    A hidden Murray River rockshelter speaks volumes about local Aboriginal and European settlement in the Riverland, with symbols of conflict — including a swastika symbol — discovered in Aboriginal rock art.

    The engravings studied in 188 engravings in a remote South Australian rockshelter are a stark reminder of colonial invasion and the strife brewing in Europe ahead of World War Two, Flinders University archaeologists have revealed.

    The ‘graffiti’ has been etched over or adjacent to Aboriginal rock art at a culturally significant rockshelter in limestone cliffs of the Murray River near Waikerie in South Australia.

    The engravings reveal the deep Aboriginal significance of the rockshelter, the traumatic period of European invasion, and the frontier conflict and ongoing impacts of colonial settlement, says lead author Flinders Associate Professor Amy Roberts, who works with members of the local Aboriginal community.

    The archaeologists from Flinders University, in partnership with the River Murray and Mallee Aboriginal Corporation, have published their observations in a new article in Australian Archaeology.

    Rockshelter Inscriptions
    Example of panel of significant surface preparation for inscriptions. Photo Ellen Tiley 2016. Credit: Photo Ellen Tiley 2016

    “Of the 188 motifs identified, only one engraving remained that could be positively identified as a pre-European Aboriginal design — a ‘treelike’ motif,” Associate Professor Roberts says.

    “The rest of the identifiable historical inscriptions were the work of members of frontier conflict/punitive expeditions, local European settlers, and a non-local Aboriginal man. Of the motifs that can be confidently identified one incorporates a swastika, engraved in 1932.”

    The first European historical inscriptions were engraved by members of volunteer police parties on punitive expeditions, and were part of a historical trajectory that later culminated in the Rufus River Massacre.

    “It is unlikely that police party members were unaware of this deliberate desecration when they added their names to the front of the shelter,” says co-author Flinders University Professor Heather Burke.

    The authors argue that these historical engravings breach the Aboriginal cultural space and represent the first acts of trespass and desecration.

    Fiona Giles, co-chair of the River Murray and Mallee Aboriginal Corporation, says: “We need to tell these stories to protect our history and heritage so that our culture is respected and not lost.

    “For us, as traditional owners, this rockshelter is a highly significant and special place. It tells the stories of our ancestors and shows our deep connection to the river and reminds us of how our people lived before Europeans invaded our world,” she says.

    Reference: “Connection, trespass, identity and a swastika: mark-making and entanglements at Pudjinuk Rockshelter No. 1, South Australia” by Amy Roberts, Heather Burke, Catherine Morton and the River Murray and Mallee Aboriginal Corporation, 14 April 2020, Australian Archaeology.
    DOI: 10.1080/03122417.2019.1738666

    Research at the Pudjinuk rockshelters is being funded by the Australian Research Council [LP170100479].

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    Anthropology Archaeology Flinders University History
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    3 Comments

    1. Rob on January 4, 2025 2:17 am

      How odd that European artefacts are seen as vandalism, although that swastika is certainly to be condemned as a symbol of deliberate evil. All humans andhominims leave an imprint of their passing; it is part of our universal culture and our human heritage.

      Reply
    2. Brent on January 19, 2025 11:57 am

      It’s not substantially different than if someone broke into a church and spray painted the sanctuary and broke the stained glass. It’s not just a natural human sign of passage. It’s a deliberate act of desecration and disrespect, part of a long pattern of such behavior on the part of European colonists.

      Reply
    3. Steven A Helming on September 4, 2025 10:21 pm

      Who would’ve thought that poo-poo would hold such significance? It is ‘earth’, and as such, we as scavengers don’t do a good job of digesting.

      Reply
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