Chemical engineers have innovated on the ancient art of origami, developing a modern method to create intricate 3D shapes from glass or other hard materials. This technique, which can be integrated with 3D printing, has potential applications in various fields, including sculpture and catalysis.
The ancient art of origami is well known for transforming sheets of paper and other foldable materials into complex 3D shapes. But now, chemical engineers have extended the centuries-old practice to produce intricate shapes made of glass or other hard materials. Their thoroughly modern method, which can be combined with 3D printing, could have applications ranging from sculpture to catalysis and beyond.
The researchers will present their results today at the spring meeting of the American Chemical Society (ACS). ACS Spring 2023 is a hybrid meeting being held virtually and in-person March 26–30, and features more than 10,000 presentations on a wide range of science topics.
In earlier work, the researchers used origami and the related technique of kirigami — which combines cutting with folding — to shape soft materials made of polymers. “But we wanted to extend these techniques to glass and ceramics, which are much harder to process into complex shapes than polymers,” says Tao Xie, Ph.D., the project’s principal investigator.
Typically, glass and ceramics are shaped in a mold or are 3D printed in the desired final structure. But a mold can’t produce a complicated shape, Xie says. And although 3D printing can do so, it’s slow, and an object can be flimsy and need extra support while it’s being made. In addition, the printed item usually has a layered texture that might not be the ideal appearance. The team set out to see if they could overcome these shortcomings.
Yang Xu, a graduate student who works in Xie’s lab at Zhejiang University, devised a technique in which she mixed nanoparticles of silica — the main ingredient for making glass — into a liquid containing several compounds. Curing the mixture with ultraviolet light produced a cross-linked polycaprolactone polymer with tiny beads of silica suspended in it, like raisins in raisin bread.
Next, Xu cut, folded, twisted, and pulled on sheets of this translucent polymer composite, which has mechanical properties similar to paper, to make a crane, a feather, a lacy vase and a sphere made of intertwined ribbons, among other objects. If she did this at room temperature, the composite retained its new shape fairly well throughout the remaining production steps. Xu discovered that’s because the folding and stretching process irreversibly disrupts the interface between some of the silica particles and the polymer matrix. But if it’s critical to fully retain the new shape during the subsequent steps, Xu found that the composite must be heated at about 265 F when it is folded and stretched. That permanently rearranges the links between the polymer chains, firmly fixing the new shape in place.
A subsequent heating step at more than 1,100 F removes the polycaprolactone polymer from the object and turns it opaque. After cooling, a third heating step, known as sintering, melts the silica particles together at temperatures topping 2,300 F to convert the object into clear glass with a smooth, non-layered texture. Achieving that full transparency turned out to be the project’s biggest challenge. Including more polymer in the mix made the objects easier to fold but reduced their final transparency, explains Xu, who is presenting the work at the meeting. She ultimately found the right concentrations of polymer and silica to successfully compromise between those competing priorities.
In her latest work, Xu is extending the method beyond glass to ceramics, replacing the silica with substances such as zirconium dioxide and titanium dioxide. Whereas glass is brittle and inert, these compounds open up the possibility of producing “functional” objects, such as materials that are less fragile than glass or that have catalytic properties.
The group is also experimenting with a combination of kirigami and 3D printing to make even more complex shapes. “When you fold a piece of paper, the level of complexity is somewhat limited, and 3D printing is kind of slow,” Xie says. “So we wanted to see if we could combine these two techniques to take advantage of their attractive attributes. That would give us the freedom to make almost any shaped part.”
In the catalyst field, Xie notes, people use 3D printing to make ceramic structures perforated with microscopic channels, which increase a catalyst’s exposed surface area. Xu’s method could enable more intricate designs for such applications, and as a test case, she has printed a pierced 3D lattice made of the silica-polymer composite (red structure in accompanying image).
Xu notes that her process could be automated for large-scale manufacturing. She and Xie hope the ceramics and artistic communities will learn about the work and apply it in catalyst and sculpture design, as well as other purposes the researchers haven’t even thought of yet.
The researchers acknowledge support and funding from the National Natural Science Foundation of China.
Meeting: ACS Spring 2023
Transparent origami glass
The art of origami has emerged as an engineering tool with ever increasing potential, but the technique is typically limited to soft and deformable materials. Glass is indispensable in many applications, but its processing options are limited by its brittle nature and the requirement to achieve optical transparency. We report a strategy that allows making three dimensional transparent glass with origami techniques. Our process starts from a dynamic covalent polymer matrix with homogeneously dispersed silica nanoparticles. Particle cavitation and dynamic bond exchange offer two complementary plasticity mechanisms that allow the nanocomposite to be permanently folded into designable geometries. Further pyrolysis and sintering convert it into transparent three dimensional glass. Our method expands the scope of glass shaping and potentially opens up its utilities in unexplored territories.
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